7 Shocking Secrets About The First Vogue Magazine Issue From 1892
Contents
Arthur Baldwin Turnure: The Man Who Created the 'Bible of Fashion'
The man responsible for launching the magazine that would eventually be dubbed the "Bible of Fashion" was Arthur Baldwin Turnure. He was an American businessman and a member of New York's high society. Turnure's vision for *Vogue* was not initially about haute couture, but about chronicling the lives of the social elite.Arthur Baldwin Turnure: Biographical Profile
- Full Name: Arthur Baldwin Turnure
- Born: 1856 (Approximate)
- Nationality: American
- Occupation: Businessman, Publisher, Socialite
- Key Achievement: Founder of *Vogue* magazine
- Date of *Vogue* Founding: December 17, 1892
- Original Concept: A weekly journal for the New York social elite, covering fashion, society, and etiquette.
- Financial Backers: Notable figures like Cornelius Vanderbilt, Stuyvesant Fish, and Ogden Goelet.
- Death: 1905
- Successor: Condé Montrose Nast acquired *Vogue* after Turnure's death.
December 17, 1892: A Look Inside Vogue's Inaugural Issue
The very first issue of *Vogue* was published on Saturday, December 17, 1892. It was a weekly publication and cost a mere 10 cents per copy, which was a premium price for the time, reflecting its upscale target audience.The Original Target Audience: Men and Women of Society
A surprising fact about the *First Vogue* is that it was explicitly designed to appeal to both male and female readers. It was not exclusively a women's fashion magazine. The content was split between covering women's fashion and social events, and topics relevant to men, such as sports, social clubs, and the latest in men's attire. The publication's mission was to capture "the ceremonial side of life," meaning the social rituals, parties, and general lifestyle of the wealthy. It served as a guide to social etiquette and a reflection of high-class life in New York.The Iconic First Cover: A Debutante Illustration
Unlike the photographic covers featuring supermodels and celebrities that define modern *Vogue*, the first issue featured an illustration. The cover art was a drawing of a debutante, created by artist A.B. Wenzel. This choice perfectly encapsulated the magazine's focus on young, high-society women and their entry into the elite social world. The early issues were heavily reliant on illustrations, as color photography was not yet a practical option for mass-market printing. These detailed drawings, often of the latest Parisian fashions, were the magazine's primary visual content.Key Content and Sections in Early Issues
The content of the 1892 weekly *Vogue* was a fascinating mix of society gossip, practical advice, and fashion reporting. The sections included:- "The Society World": Detailed reports on balls, dinners, and social gatherings of the New York elite.
- "Fashions for Women": Coverage of the latest gowns, hats, and accessories, often sourced from European trends.
- "The Men of the Day": Articles dedicated to men’s clothing, etiquette, and leisure pursuits.
- "Gossip and Humour": Lighthearted commentary and anecdotes about society figures.
- "The Letter Box": A section dedicated to answering reader questions on social dilemmas and etiquette rules.
From Society Weekly to Global Fashion Authority: The Condé Nast Era
The true transformation of *Vogue* from a niche society paper to the global fashion behemoth we recognize today began after the death of Arthur Baldwin Turnure in 1905. This event led to the magazine's acquisition in 1909 by a visionary publisher: Condé Montrose Nast.The Nast Revolution: Going Bi-Weekly and International
Condé Nast immediately saw the potential to elevate *Vogue* beyond a local New York society journal. His strategy involved several key changes that fundamentally altered the magazine's trajectory:- Format Change: Nast changed the publication frequency from a weekly newspaper to a bi-weekly magazine, allowing for higher production quality.
- Focus Shift: He began to focus more intensely on fashion, beauty, and lifestyle, moving away from the purely social reportage of the Turnure era.
- International Expansion: Nast launched *British Vogue* in 1916 and *French Vogue* in 1920, establishing the magazine as an international authority. This was a radical move that cemented its global influence.
The Rise of Photography and High Art
Under Nast's leadership and the subsequent influence of legendary editors, *Vogue* began its transition from an illustrated journal to a photographic showcase. He invested heavily in high-quality paper, printing, and the best photographers and artists of the era, including Edward Steichen and later, Cecil Beaton. This commitment to visual excellence is what truly defined the modern *Vogue* aesthetic and elevated it to an art form. The magazine became less about reporting on society and more about creating and dictating style, transforming into an aspirational publication that set the trends rather than just documenting them. This shift cemented *Vogue*'s reputation as the ultimate arbiter of taste and the undisputed global leader in fashion journalism. The legacy of the *First Vogue* is the foundation of prestige that allowed this transformation to take place.
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